Opho | Writing - Green Door House

See To Gone

originally published in Green Door House

text contributions by Gregory O'Toole
and Doghead Cola

excremeditated in Third Mind by Doghead Cola

Of boundary dissolution, on a trajectory into passing by the black windows at Red Dragon after hours, humankind is the centerpiece of rethinking authorship. Interpenetrating relationship humanity takes a central role in folding itself upon itself for billions and the process, requiring dyed skyblue and radiant in the yellow street lamp glow. "For it is precisely disorder that previously recorded scuffing my blacktop alley soles along the pavement."

Redirected manifold. The mind is an instrument, and source materials, both opening up the "possibility for utterly unexpected auditory and visual old broken down popcorn bags."

Rip rap on bullet proof glass, numeric characters from a set of cultural, behavioral, and 1 to 8, a state of awareness necessary to wintery exhaust filtering up into the fluorescent glow. Into the website through the use of this set, it is interface for randomization. For imaginative construction of artifice. Its example, not much like a solitaire drunkard in the streets, but like a Belfast prize fighter, would make his own choice without alienating its host.

And typing in the letter "A" at an accelerated rate, through its hands jammed down into front pants pockets, reflected rave is a medium and like all perceptual strategies that maintains a genuine social value. It has been complexifying itself, hidden within the constructs of everyday experience. Turbulence lies our own future.

A ruthless self-obervation in process, the evening snowstorm in March is not unexpected. With spontaneous grace, the apex of information implosion impetus of the contemporary DJ to act in part out of the necessity of the survival of integration. Invisibility, which implies not seeing clearly, as a selector of sources, brain-change perceptual prowess previously to be mixed, however, in this case. The artist will apply the celebration of mind in play and love as an original sound also derived in a previously indeterminate manner.

As with any tool, any media, the human visual elements derived from vinyl and video think about the cracked sidewalks with newspapers like a mogul run.

The nexus of concrescence of novelty libraries in the midst of discord which need to learn to pay attention to the gas station beer store, on the other hand, is always open. Because in submission from Web collaborators, modes of synthesis arise, patterns of individual alpha practice scales so that we may begin to improvise.

Load the workflow, it seeks to communicate through use. Rave as process will require the snow falling all around, sticking to those heavy shoes. The movies usually aren't that bad when you enter the film house of acceleration as it attempts to apprehend creation of an hour's perceptual and individuated awareness. Here the critical context of which humanity is invariably fast approaching it may be possible for Rave to aid humankind by unknown host (humankind) as information implodes by acting as a guide concocting a new Bigger Picture, more honest than the rest.