The project Opho explores audio production and synthesis via participation and probability.  The goal is to attempt new techniques which stretch beyond individual inspiration and which synthesizes inherent potentials from existent work.  The purpose is to move beyond interacting with data as information and instead to integrate with data in relationship, and to cultivate relationships between varying data parameters in order to synthesize new forms.  Opho’s participatory structure invites the creativity of the many with the ambition to create a singular product; however, the structure, or process, can be replicated by any artist, with any creative ambition (music, writing, filmmaking, designing, etc.) in order to align seemingly disparate elements into a unified record serving as the apex of previously non-related forces. Thus, the process, even if repeated again with identical initiating elements, will surely yield permutational results, because these parameters only set forth guidelines for developmental exploration. It is through this process that unexpected meaning will be derived and previously unforeseen relationship arrived at.